Gentle reader, I’ve only been in Canterbury a few weeks. Maybe that’s why, when I go to London or Broadstairs or Whitstable, I feel like it’s a voyage within a voyage. A Russian doll within a Russian doll.
My roommate and I took the train to Broadstairs last weekend, a coastal town about a half hour away. We were hoping to tour “Bleak House,” which is where Charles Dickens spent many summers, and – some say – the home that gave him inspiration for the fictional Bleak House (that fact is hotly debated and may be a pile of rubbish). Anyway, it’s rather a moot point since Bleak House was firmly locked when we got there – despite the fact that we had phoned that morning and were told enthusiastically to come and bring our cameras!
But never mind. Instead, we took a taxi to Botany Bay (no, we did not travel to Australia, there is another one) and saw the most gorgeous beaches.
I get up to London quite regularly, and it’s a bit of shock after the peace and quiet of Canterbury, with its mossy river and weeping trees.
London, in comparison, is hectic. Full. Noisy. It exists on a completely different scale – not just in terms of population (Canterbury is about 45,000 souls) but its sheer size. The massive network of tube stations, squeezing people in and out of tubular cars and pumping them back out on the streets, where they throng past massive buildings that rise out of the pavement and soar into the sky, drawing the eye upward, constantly upward, with their domes and arches.
Last weekend we wound our way through the Temple Gardens, just off the Thames, where the Inner and Middle Temple (legal societies) are headquartered, to find the Temple Church – built by the Knights of the Templar.
You enter the unusual round church (you might recognize it from The Da Vinci Code) to stumble over the fellows above. Rather a surprise. But London is a series of surprises. Like New York, everything is here. Iconic things, which you have read about, seen in films and TV shows. The Eye, looming like a Ferris wheel on steroids above the Thames. The theater district, with all the shows that come to Calgary once in a blue moon, all packed into a few dense blocks of cobblestoned streets. Mama Mia, Kinky Boots, Annie, Dream Girls. And now, The Ferryman.
I went to a London Literary Festival event yesterday to celebrate a poetry installation called the Wall of Dreams, designed by Danish poet and artist Morten Sondergaard.
Above, you see the front of the Royal Festival Hall, taken from the Jubilee bridge. You can see the line from the Wall of Dreams: I dream of my mother’s smile. Here is the wall on the other side of the Royal Festival Hall:
Here’s a better picture, taken later at night. The wall features snippets of poems by refugees, and the event I attended was a performance by women refugees, reciting snippets of their poems.
Some quotes from the performance:
“I dream of living without fear in UK.”
“I dream that someone finds a pill for broken souls.”
“I dream of meeting my children again.”
A powerful performance by the Women for Refugee Women, based in London.
The city of London is also home to the British Library. I have emailed my guest supervisor requesting a letter of introduction so I can introduce myself to the letters of Virginia Woolf. Thank you, Virginia, for setting the stage so women can access important documents without the company of a man.
Yes, thank you for trying so hard, Virginia. Thank you for taking on the men of the literary and academic worlds, for attempting to walk on forbidden lawns and enter forbidden libraries. The men who honored you with awards which you refused. Thank you.
When I look at her letters, written in her own handwriting (who else’s would it be – I am a pile of mush just thinking about reading her actual letters) I will no doubt wish that her labour had taken us further down the road to equality. As I read the news about Hollywood, about Washington, it’s impossible not to feel Virginia-like, despite the decades between us.
I felt particularly Virginia-like on the train from London last Monday, coming home from a brilliant play called Labour of Love about the Labour Party (starring the wonderful Martin Freeman and the amazing Tamsin Greig – if you haven’t yet watched Episodes on Netflix, please do – not to see Matt LeBlanc but to see Tamsin Greig). Long story short, a drunken arsehole (let’s call him AH) sitting behind me had a revolting conversation on his phone with his girlfriend – on speakerphone – about knickers and the removal thereof, which clearly made the 12-year-old girl across from me uncomfortable (her mother had fallen asleep). I am sad to say that I said nothing, since AH seemed unpredictable at best. Once he hung up, he tried to strike up a conversation with the girl across from me, who looked over at me in alarm. Had she been to the concert that night, AH wanted to know. She said nothing. He asked again, sounding drunkenly annoyed. I turned around and suggested he let her be. At which point he told me that people who jump in on other people’s conversation are asking to be slapped upside the head. Which made me re-assess the situation. In the meantime, the girl’s mother woke up, telling AH in no uncertain terms that he should not strike up conversations with twelve-year-old girls.
Thus capping an otherwise lovely weekend in the city of London.
So (and this is my curt nod to HW), it has been a week of women speaking out. Not perfectly, but speaking out.